Tag Archives: Allan Moore

The Rock Instrumentarium

Well, we have spent the last few weeks going through all of the proof edits for the Bloomsbury Handbook of Rock Music Research, including an enormous bibliography and an even larger index of close to 9000 words. Despite the various … Continue reading

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The Definition of ‘Rock’ and Stylistic Overlaps

The third essay of the Bloomsbury Handbook of rock music Research is provided by Taylor Myers and Brad Osborn, who initially examine the music theory, musicological and cultural studies literature that has emerged relating to rock scholarship over the last … Continue reading

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The Bloomsbury Handbook of Rock: Writing About Rock

The Bloomsbury Handbook of Rock Music Research is now in the ‘post proof’ stage, with the publishers getting back with their various tweaks and suggestions. So I have just spent the day responding to 33 authors, who will soon be … Continue reading

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Psycoanalytic Approaches to Analysis and Musical Taste

As anyone who has read this blog will know, I have developed an ongoing interest in the ways in which music conveys meaning over the last few years. This has resulted in considering many academics’ thoughts – ranging from philosophers … Continue reading

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More Analysis of Social Space: Sting’s Dead Mans Boots

Last weeks post commenced with a discussion of the ways in which the background of a musical mix can resonate with the persona in a song – describing it as ‘Inert’,  ‘Active’ or ‘oppositional’ (I still need more examples of … Continue reading

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Modern Uses of The Soundbox: Examples of Triangular Mixes

Today in my musicology session – we discussed a few ways in which a musical mix can be analyzed. It started by suggesting the following factors as a way to consider recorded sound. ¨Listen closely for  the relationships between instruments … Continue reading

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