Tag Archives: Dead Mans Boots

Update on Current Projects: Sting and the Gravitational Pull of Newcastle

Posted on March 13, 2014 by Paul Carr

Just a quick update of some of my activities over the last month or so. So – not in any particular order – here goes. Firstly, last weekend I contributed to a radio show on The Alarm’s Mike Peters – … Continue reading →

Posted in Musicology | Tagged A New South Wales, Alan Thompson, authenticity, Dead Mans Boots, higher education academy, interdisciplinary, Mike Peters, Newcastle, paul carr, sting, The Alarm, The Last Ship, They Write the Songs, Wallsend, welsh identity | Leave a comment

More Analysis of Social Space: Sting’s Dead Mans Boots

Posted on November 11, 2013 by Paul Carr

Last weeks post commenced with a discussion of the ways in which the background of a musical mix can resonate with the persona in a song – describing it as ‘Inert’, ‘Active’ or ‘oppositional’ (I still need more examples of … Continue reading →

Posted in Musicology, podcast | Tagged Allan Moore, analysis, Dead Mans Boots, musicology, paul carr, Song Means, sting, The Last Ship | 2 Comments

Tag Archives: Dead Mans Boots

Update on Current Projects: Sting and the Gravitational Pull of Newcastle

More Analysis of Social Space: Sting’s Dead Mans Boots

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