Tag Archives: paul carr

The Rock Instrumentarium

Well, we have spent the last few weeks going through all of the proof edits for the Bloomsbury Handbook of Rock Music Research, including an enormous bibliography and an even larger index of close to 9000 words. Despite the various … Continue reading

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The Definition of ‘Rock’ and Stylistic Overlaps

The third essay of the Bloomsbury Handbook of rock music Research is provided by Taylor Myers and Brad Osborn, who initially examine the music theory, musicological and cultural studies literature that has emerged relating to rock scholarship over the last … Continue reading

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The Bloomsbury Handbook of Rock: Writing About Rock

The Bloomsbury Handbook of Rock Music Research is now in the ‘post proof’ stage, with the publishers getting back with their various tweaks and suggestions. So I have just spent the day responding to 33 authors, who will soon be … Continue reading

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Live Music Strategy For Cardiff: Lets Pay our Young Musicians

It was interesting to read the Sound Diplomacy recommendations into the ways in which Cardiff can become the UKs first music city. Firstly, I have to say, that if these recommendations are taken forward, there is no question they will … Continue reading

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Music Persona and Authenticity

In last weeks musicology session, we considered three main ways in which the person singing a song can be identified. These were The ‘Real’ Person/Performer singing/playing a song: For example David Jones, Reginald Kenneth Dwight, Gordon Sumner, Saul Hudson, The … Continue reading

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The Decline of Instrumental Tuition in Wales

Although it took place a few months ago, here are a few links related to the report I wrote a few months ago into the decline of instrumental teaching in Wales. The event took part at The Royal Welsh College … Continue reading

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The Impact of Musical Environment on Lyrics and Meaning

This post is directed mainly to my undergraduate musicology students, but I am sure other readers will find it of interest to. This week in our class, we discussed the various ways in which the ‘musical environment’ (the sounds and … Continue reading

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