Author Archives: Paul Carr

Survivor Guitarist Sues Mike Huckabee Over ‘Eye of the Tiger’ Use

Republican presidential hopeful Mike Huckabee is facing a lawsuit stemming from a September rally where the former Arkansas governor used Survivor’s “Eye of the Tiger” without permission. Survivor’s Frankie Sullivan, who co-wrote the 1982 single, is suing Huckabee for unspecified … Continue reading

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The Benefits of Listening to and Performing Music

Here is a fantastic video, which builds on my post from last week regarding the interlectual  benefits of engaging with music. Recent research indicates that engaging with music as either either a listener or performer has a unique impact on … Continue reading

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Music graduates are more employable than you might think | Education | The Guardian

Just read an interesting article in The Guardian which outlines the employability music graduates. The article goes on to discuss the array of professions that music graduates enter – and the important skills that good degrees indoctrinate into their awards. I … Continue reading

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Copyright in Lyrics: The Case of Taylor Swift

There was an article in The Guardian today that discusses the $42m lawsuit against Taylor Swift by Jesse Graham. Firstly, before we start – here are the videos of the two tracks in question – Swift’s ‘Shake it Off’ and … Continue reading

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Funding Popular Music in Wales: Some Suggestions.

Although these links are intended for my current final year popular music students, in reality they will be of interest for anyone interested in accessing funding to develop their careers in the popular music industry in Wales. Obviously, I will … Continue reading

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The Demise of the Triangular Mix: Why Has it happened?

In Alan Moore’s excellent paper with Ruth Dockwary, he discusses the demise of what he calls the ‘Triangular’ mix – which has been replaced by the ‘diagonal’. To get an understanding of this, listen the ‘The Wind Cry’s Mary’ by Jimi … Continue reading

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Critical Listening and Students: Popular Music and Form

In preparation for a musicology lecture this week, I began to think about the importance of students having an awareness of the general conventions in popular music. Factors such as an awareness of the commonality of eight bar sections (verses … Continue reading

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Have we seen an end time signature experimentation in main stream pop music: If so Why?

In preparation for a lecture this week, I  was considering examples of popular music that use time signatures other than 4/4 or 3/4. As you will see in the Facebook responses below – the vast majority of responses where either … Continue reading

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Prioritising the Elements of Music as a Starting Point of Analysis

This weeks  podcast concerns how we can begin to use the elements of music as a starting point of music analysis. It starts with three main questions How are the elements being used? This can be as basic as a … Continue reading

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Starting to Think About Music: Song Arrangement and Track

Here is a podcast of an introductory lecture on ways we can think about popular music analysis, and the differences between Song, Arrangement and Track.

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