Tag Archives: popular music

Merthyr Tydfil and Popular Music: Celebrating a Rich Musical History

As I mentioned in my last post, we launched the #merthyrpop exhibition last week. Here are a few more photos of the event, featuring some of the speakers and community members This was followed by the first week that the … Continue reading

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Past and Present: Local Music Making and the Politics of Popular Music

The Red House (Town Hall), Merthyr Tydfil Saturday 27th January 2018, 11am- 4.30pm, Followed by Exhibition Launch Join us for a free one-day research and industry event marking the launch of a one-month exhibition celebrating the hidden history of popular … Continue reading

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Being Human Festival in Merthyr Tydfil: Lost Musical Histories

I really enjoyed my talk yesterday as one of seven other projects that have been chosen to highlight some of the fantastic work taking place in this year’s Being Human Festival. The festival, taking place between November 17th – 25th,  … Continue reading

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Popular Music Authenticity Part 2

Prompted by a recent report into the perceived authenticity of Seasick Steve, I have been prompted to think about the ways in  which authenticity resonates both positively and negatively with other artists. So, starting with Seasick Steve himself, here is … Continue reading

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What is Authenticity in Popular Music?

I have had an interesting debate this week about the nature of authenticity in popular music – prompted by the recent revelations that Seasick Steve, the bastion of authenticity for many, turned out to be a session musician who lied … Continue reading

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Pink Floyd in Merthyr Part 2

Off the back of my last post on Pink Floyd playing at The Castle Cinema in Merthyr Tydfil on December 9th 1967, it appears that this would have been one of the last gigs that Syd Barrett played with the … Continue reading

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Critical Listening and Students: Popular Music and Form

In preparation for a musicology lecture this week, I began to think about the importance of students having an awareness of the general conventions in popular music. Factors such as an awareness of the commonality of eight bar sections (verses … Continue reading

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