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Category Archives: Musicology
Magnetic North: Sting, Place and Identity
Although I am currently in the midst of loads of marking – when the dust settles I will be spending some time during the summer finishing off the initial draft of my Sting book – currently called ‘Magnetic North: Sting, … Continue reading
Posted in Musicology, Sting
Tagged Geordie, identity, last exit, magnetic north, musicology, Newcastle, paul carr, sting
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NE folk song
Originally posted on north east folk:
Sandra Kerr discusses and introduces some North East folk songs: Sandra Kerr discusses her views on the special characteristics of folk songs from the North East: Pete Wood lists the top 20 NE folk songs…
Posted in Musicology
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Frank Zappa, Popular Music and Politics
Having recently returned from a fantastic conference on ‘music and protest’ at the University of Limerick’, it got me thinking about an unpublished Zappa paper that I wrote around 7 years ago. I have copied and pasted the unedited version … Continue reading
Sting and the Protest Song
I am presenting a paper relating to my Sting book in Limerick this month at a conference on music and protest. Here is an early draft of what I will be speaking about Introduction This paper will provide an overview … Continue reading
Posted in Academic, Musicology, Sting
Tagged Arthur Koestler, Band Aid, Cueca, e Human Rights Concerts, George Lipsitz, Ghosts in the machine, Graceland, Human Rights Now! concerts, murder by numbers, Participation of Hope tour, paul carr, Paul Simon, Pinochet, protest song, sting, Synchronicity, The Rainforest Foundation, They Dance Alone, We Work The Black Seam, William Blake
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Psycoanalytic Approaches to Analysis and Musical Taste
As anyone who has read this blog will know, I have developed an ongoing interest in the ways in which music conveys meaning over the last few years. This has resulted in considering many academics’ thoughts – ranging from philosophers … Continue reading
Posted in Academic, Music, Musicology, philosophy
Tagged Allan Moore, Celine Deon, Frank Zappa, Hermann Von Helmholtz, Immanuel Kant, music meaning, musical pleasure, musical taste, musicology, on the sensation of tone, phil tagg, philosophy, philosophy in a new key, phycoanalytical approaches, PSYCOANALYTIC, sting, Susanne Langer
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More Thoughts on the A Level Music Curriculum
I have spent much time over the last several years trying to think more deeply about some of the issues associated with the ways in which students are prepared for higher education music courses. The National Diploma awards which were … Continue reading
Music Making in Merthyr Tydfil: Memories of Place and Space
Since starting my Sting book last year, I have become really interested in the relationship of music and memory. Although my Sting book is specifically focused on one musician’s complex love hate relationship with his hometown of Newcastle, something which … Continue reading
Posted in Musicology
Tagged A Level Music, Budgie, man, memories, Merthyr Tydfil, music memories, musical memories, paul carr, pretty vicious
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Censorship and Frank Zappa
My post the other week about doing a Frank Zappa talk as part of the forthcoming Frank Zappa music festival in Bangor has just taken an unexpected and very disappointing twist. The festival organisers have been told by the Zappa … Continue reading
Posted in Frank Zappa, Musicology
Tagged Bangor Music Festival, Frank Zappa, musicology, paul carr, zappa family trust
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Final Final Thoughts on Melodic Analysis
I have been discussing melodic and harmonic analysis with my students over the last few weeks. As a random exercise – we thought it would be useful to consider how some of these techniques are incorporated into the top 10. … Continue reading
Posted in Musicology
Tagged analysis, melodic analysis, musicology, paul carr, Thinking Out Loud, top 20, Uptown Funk
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