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Tag Archives: musicology
Happy Birthday – the worlds most popular song is not under copyright according to lawsuit | Music | The Guardian
A recent article in the Guardian reports that the song Happy Birthday has ran out of copyright without the publishers realising! This means that Warner Chapel have some compensation to pay! Copyright expires anyway in the EU – meaning we … Continue reading
The Elements of Music and Musical Form
This podcast is on the relationship on the elements of music and form. It considers the ways in which elements such as musical texture, time signatures, and harmony can interact to create expectations in a listener. In popular music, these … Continue reading
Posted in podcast
Tagged elements of music, exptectations, musical form, musicology, paul carr
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The Elements of Music: How can we use them to discuss ‘interest’ in a piece of music?
This post concerns the elements of music, and the ways in which they are prioritised to indoctrinate interest in a piece of music. How can we use the elements that for most are so familiar, to begin to analyse popular … Continue reading
How Music Means and/or What Music Means?
Here is another very brief snippet asking students to consider the difference between WHAT music means and HOW it means. As Alan Moore points out in his book ‘Song Means’ – there is often a confusion here. For me, it … Continue reading
Posted in podcast
Tagged how music means, music analysis, musicology, polysemic, song analysis, what music means
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Magnetic North: Sting, Place and Identity
Although I am currently in the midst of loads of marking – when the dust settles I will be spending some time during the summer finishing off the initial draft of my Sting book – currently called ‘Magnetic North: Sting, … Continue reading
Posted in Musicology, Sting
Tagged Geordie, identity, last exit, magnetic north, musicology, Newcastle, paul carr, sting
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Psycoanalytic Approaches to Analysis and Musical Taste
As anyone who has read this blog will know, I have developed an ongoing interest in the ways in which music conveys meaning over the last few years. This has resulted in considering many academics’ thoughts – ranging from philosophers … Continue reading
Posted in Academic, Music, Musicology, philosophy
Tagged Allan Moore, Celine Deon, Frank Zappa, Hermann Von Helmholtz, Immanuel Kant, music meaning, musical pleasure, musical taste, musicology, on the sensation of tone, phil tagg, philosophy, philosophy in a new key, phycoanalytical approaches, PSYCOANALYTIC, sting, Susanne Langer
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More Thoughts on the A Level Music Curriculum
I have spent much time over the last several years trying to think more deeply about some of the issues associated with the ways in which students are prepared for higher education music courses. The National Diploma awards which were … Continue reading
Censorship and Frank Zappa
My post the other week about doing a Frank Zappa talk as part of the forthcoming Frank Zappa music festival in Bangor has just taken an unexpected and very disappointing twist. The festival organisers have been told by the Zappa … Continue reading
Posted in Frank Zappa, Musicology
Tagged Bangor Music Festival, Frank Zappa, musicology, paul carr, zappa family trust
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Final Final Thoughts on Melodic Analysis
I have been discussing melodic and harmonic analysis with my students over the last few weeks. As a random exercise – we thought it would be useful to consider how some of these techniques are incorporated into the top 10. … Continue reading
Posted in Musicology
Tagged analysis, melodic analysis, musicology, paul carr, Thinking Out Loud, top 20, Uptown Funk
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Update on Sting Book
I was in London last week doing some consultation for Pearson on the new A Level Music syllabus. The details of this are confidential, so I will use this post to provide an update on the other reason for my … Continue reading
Posted in Musicology
Tagged Acton, bayswater, flat, mike howlett, musicology, paul carrr, pearson, sting, strontium 90
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