Author Archives: Paul Carr

Apple Music: Are we on the verge of indi labels getting no royalties for three months

As we move toward the launch of Apple music, I am trying to understand what will happen during the free three month trail period to indi artists? According to a recent article, Apple sent a ‘take it or leave it’ … Continue reading

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Leaked Contract: Apple Music Pays No Royalties For Free Account Plays

Off the back of the few posts I have made this week – this one is the most disturbing. While I love the idea of giving the new Apple Music service a try out before paying – to hear that … Continue reading

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Spotify responds to Apple Music by revealing it now has 75m active users

Another post in The Guardian has revealed that Spotify has made a significant increase in its paid subscribers over the last 12 months – despite the fact that 20 million paid subscribers is a drop in the ocean compared to … Continue reading

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Apple Music talks investigated for potential anti-competitive behaviour

The new Apple streaming service is getting more interesting by the second. According to an article in the Guardian – they are now being investigated for anti competitive behaviour. Could we be experiencing a similar situation to the ‘payola’ situation … Continue reading

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Apple Music Finally Unveiled

So, Apple have eventually entered the streaming market. It appears that they are now attempting to develop an ‘all in one’ platform that facilities users to access all of their content in one place. What I am interested in is … Continue reading

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Sting Interview: BBC Radio Newcastle on May 29th 2015

My interview on Radio Newcastle on my Sting book is available for the next week below. The interview links into Geordie Identity and the progressive ‘love/hate’ relationship with a region. It also covers how it is possible to negotiate your … Continue reading

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The Elements of Music and Musical Form

This podcast is on the relationship on the elements of music and form. It considers the ways in which elements such as musical texture, time signatures, and harmony can interact to create expectations in a listener. In popular music, these … Continue reading

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Save our Sounds HLF funding – The British Library

I am so pleased to hear that this funding has been given to the British Library to develop this sound Archive. Really interested to see what music is included. See below for details. The British Library has received *earmarked funding … Continue reading

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The Elements of Music: How can we use them to discuss ‘interest’ in a piece of music?

This post concerns the elements of music, and the ways in which they are prioritised to indoctrinate interest in a piece of music. How can we use the elements that for most are so familiar, to begin to analyse popular … Continue reading

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How Music Means and/or What Music Means?

Here is another very brief snippet asking students to consider the difference between WHAT music means and HOW it means. As Alan Moore points out in his book ‘Song Means’ – there is often a confusion here. For me, it … Continue reading

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