Tag Archives: musicology

Martyn Bennett: Underrated and a great example of Genre Synecdoche.

A week or so ago, I posted about a few different ways that music can convey meaning – using the terminology Sonic Anaphone, Kinetic Anaphone, Tactile Anaphone and Genre Synecdoche (From Phil Tagg). Well, over the last few days, I … Continue reading

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Destuctive Editing: Can ‘Pain’ be Indoctrinated in Music and Meaning transfered to a listener?

Here is a beautiful and graphic account of how painful circumstances resulted in a particular creative practice in music production. I would love to hear this piece by Adrian Benavides. As a musicologist, one of the things I challenge my … Continue reading

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More Musicological Thoughts

I gave a musicology lecture the other days which focused on a number of techniques introduced by musicologist Phil Tagg. They are Sonic Anaphone: Where the music extract resembles what it represents.For example motorbike sounds. For me this is similar … Continue reading

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The Relationship between The Elements of Music and Musical Form

  My most recent musicology lecture focused on the relationship between musical form and the elements of music. I am looking for examples of the following – feel free to suggest – Examples of pieces with unusual bar numbers between … Continue reading

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The Elements of Music: A Good Start To Basic Analysis

When considering the analysis of a piece of music for the first time, it is sometimes useful to start with the ‘elements of music’. As a first step – try placing the following elements in order of priority – in … Continue reading

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Barthes;Foucault and Eco: Impact on Musicological Thought?

A few things to discuss this week. Firstly, I have been working on attempting to formulate an easy to understand musicological model that takes into account production – the music itself – and its reception. I will be discussing this … Continue reading

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National Identity versus Commerce: An Analysis of Opportunities and Limitations within the Welsh Music Scene for Composers and Performing Musicians

I have a new Journal article coming out in the next week which discusses some askpects of the Welsh Music scene. It will be published in the Journal ‘Popular Music History’ – a short abstract copied below. This chapter intends … Continue reading

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Pat Metheny: Why is his music so interesting?

  I have just spent an hour or so listening to a ‘best of Pat Metheny‘ collection on Spotify. Having been listening to this man’s music for around 30 years now, it is crazy to think some of the tracks … Continue reading

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Zappa and Intergrational Meaning: A Quick Example

I could not resist but to briefly cover an example of Barthes’ ‘intergrational’ meaning via a Zappa video example – ‘Montana’. For me anyway, here are a few examples of the simultaneous narratives that I can hear in the music. … Continue reading

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Roland Barthes Interpretes Zappa: The Perfect Photo

While working on my book on Frank Zappa, I am currently reading a lot of Roland Barthes, and have started to consider how some of his ideas can apply to music. There is a really interesting chapter in his book … Continue reading

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