Tag Archives: paul carr

Zappa Zappa Zappa Zappa………

Posted on October 15, 2013 by Paul Carr

Well, after my recent promises to stop talking about Zappa – it appears I still have a few things to say. Firstly – I was bitterly disappointed this week to hear that the essay that I had commissioned for the … Continue reading →

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Song – Arrangement – Track: Where is the ontological presence of a song?

Posted on October 6, 2013 by Paul Carr

This week in my Musicology session we have been discussing the various ontological aspects of a record. Alban Zac describes the following three factors:- 1)      The song: Made up of factors such as melody, chords and basic form 2)      Arrangement: … Continue reading →

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Back to Blogging: More Zappa I am Afraid!

Posted on October 4, 2013 by Paul Carr

For a variety of reasons, over the last few months I have found it really difficult to find the time to blog – life has just been getting in the way. So – here is an attempt to get back … Continue reading →

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Frank Zappa and Musical Virtuality: The Final Word on Zappa (for a while)

Posted on June 18, 2013 by Paul Carr

Well, after the best part of eight years of trying to understand what makes his music tick – I completed what will be my final piece of work on Zappa for a while. Close on the heels of Frank Zappa … Continue reading →

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Truth and Method: How Can We Be More Objective When Analysing Music

Posted on March 22, 2013 by Paul Carr

I read a review of Frank Zappa and the And this week – and despite its negativity,  it got me thinking about the ways in which our world views impact the ways in which we interpret meaning in music. Being … Continue reading →

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Frank Zappa Musicological Analysis

Posted on March 13, 2013 by Paul Carr

Here is a lecture on Frank Zappa I gave to students as part of a musicology class this week. Comments Welcome! <div style=”margin-bottom:5px”> <strong> <a href=”http://www.slideshare.net/carrp/session-7-zappa-final-presentation&#8221; title=”Session 7 zappa final presentation” target=”_blank”>Session 7 zappa final presentation</a> </strong> from <strong><a href=”http://www.slideshare.net/carrp&#8221; … Continue reading →

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Performance Analysis

Posted on March 4, 2013 by Paul Carr

I delivered a session on an introduction to Performance Analysis this week – asking the students the following questions Place examples of Episodic Markers (see presentation below) and one of the following Sonic/Tactile/Kinetic Anaphones Genre Synecdoche Experiments with Time & … Continue reading →

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Les Paul and Mary Ford: is it still possible to be successful and truly experimental?

Posted on March 3, 2013 by Paul Carr

A year or so ago, I wrote a blog about how the singer Rumer sounded like Karen Carpenter  – and how the music industry could be seen to be using  a proven formula (i.e The Carpenters) to sell the public … Continue reading →

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Zappa And the And – the Final Blog!

Posted on February 4, 2013 by Paul Carr

Well – I finally got my copies of my Zappa book last week – so this will probably be the last time I blog about it (hip – hip……). I would really appreciate anyone helping with the social network side … Continue reading →

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The Relationship of the Elements of Music to Form

Posted on January 28, 2013 by Paul Carr

This weeks musicology session focused on the relationship of  the Elements of Music to Musical Form. I have asked students to consider the following questions – Examples of pieces of music with unusual bar numbers between sections Examples of how … Continue reading →

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